…difficult simultaneous left hand finger motion that one must drill and learn. I suppose they could include such drills in the app. My favorite source of pain for both left and right hand training is "Pumping Nylon" by Scott Tennant. Most who know the subject would probably agree. Reading written music is, in my opinion, very important and --I'll venture that far-- the only way to go. Tab is cool, but why go…
…metronome (super important) I could simply ask them to learn and practice the scale on page 42 and that was that. On the guitar, Scott Tennant communicated his practice exercises to the worth through "Pumping Nylon". It's easy to say "Yeah, but I can just listen to someone playing the scale and copy it by ear". Well, that's missing the point. None of this material would have survived decades or centuries if it…
…code to the Brandenburg Concerto and Mozart's Requiem. Back on guitar, I like just about anything recorded by Segovia, Romeros, LA Guitar Quartet (I studied briefly under a disciple of the guy who wrote Pumping Nylon), John Williams (not the Star Wars guy, just in case), Paco de Lucia, Piazzolla (not guitar but often accompanied by strings and interesting), Strunz & Farah can be interesting (sometimes formulaic).…
I was also looping in the issue of being able to glide across the fret board with ease. This takes time and lots of practice. There's a reason why books like Pumping Nylon exist. It takes a lot of work to stop thinking about "where and how the f&%$ am I going to do that!" to having your mind free enough to improvise. In other words, to think about music rather than mechanics.
……复杂的左手多指同步动作，必须反复练习才能掌握。我觉得他们完全可以在 App 里加入这种练习。关于左右手训练，我最喜欢的“痛苦之源”是斯科特·坦南特的《抽丝剥茧练古典》（Pumping Nylon）。懂行的人大多都会认同。依我看，看懂五线谱非常重要，而且——我就斗胆这么说了——这是唯一的正道。六线谱挺酷，但为什么要走……
…difficult simultaneous left hand finger motion that one must drill and learn. I suppose they could include such drills in the app. My favorite source of pain for both left and right hand training is "Pumping Nylon" by Scott Tennant. Most who know the subject would probably agree. Reading written music is, in my opinion, very important and --I'll venture that far-- the only way to go. Tab is cool, but why go…
……节拍器（极其重要），我就直接让他们去练熟第 42 页的音阶，仅此而已。在吉他方面，斯科特·坦南特通过《Pumping Nylon》把他的练习法传授给了世人。说“哎呀，我直接听别人弹音阶靠耳朵扒下来不就行了”很容易。但那就完全搞错重点了。如果只是那样，这些教材根本不可能流传几十年甚至几个世纪……
…metronome (super important) I could simply ask them to learn and practice the scale on page 42 and that was that. On the guitar, Scott Tennant communicated his practice exercises to the worth through "Pumping Nylon". It's easy to say "Yeah, but I can just listen to someone playing the scale and copy it by ear". Well, that's missing the point. None of this material would have survived decades or centuries if it…
……一边写着代码，一边听着《勃兰登堡协奏曲》和莫扎特的《安魂曲》。回到吉他，塞戈维亚、罗梅罗家族、洛杉矶吉他四重奏（我曾短暂跟随写《Pumping Nylon》那哥们儿的弟子学过）录的绝大部分作品我都喜欢，还有约翰·威廉斯（以防误会，不是写《星球大战》配乐的那位）、帕科·德·卢西亚、皮亚佐拉（虽然不是吉他，但常有弦乐伴奏且很有意思），斯特伦茨与法拉赫也挺有意思（有时比较套路）。……
…code to the Brandenburg Concerto and Mozart's Requiem. Back on guitar, I like just about anything recorded by Segovia, Romeros, LA Guitar Quartet (I studied briefly under a disciple of the guy who wrote Pumping Nylon), John Williams (not the Star Wars guy, just in case), Paco de Lucia, Piazzolla (not guitar but often accompanied by strings and interesting), Strunz & Farah can be interesting (sometimes formulaic).…
我也把在指板上流畅滑行的技巧考虑进去了。这需要时间以及海量的练习。像《Pumping Nylon》这种书的存在是有原因的。你得付出大量努力，才能从满脑子“卧槽我到底该怎么弹、手该往哪放！”解脱出来，让大脑彻底放松去即兴发挥。换句话说，去思考音乐本身，而不是机械动作。
I was also looping in the issue of being able to glide across the fret board with ease. This takes time and lots of practice. There's a reason why books like Pumping Nylon exist. It takes a lot of work to stop thinking about "where and how the f&%$ am I going to do that!" to having your mind free enough to improvise. In other words, to think about music rather than mechanics.