《押沙龙,押沙龙!》封面

押沙龙,押沙龙!

Absalom, Absalom!

William Faulkner · 初版 1936 年

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讲述了神秘陌生人 Thomas Sutpen 的故事,他于19世纪30年代初来到 Jefferson,在密西西比北部荒原的泥泞洼地中硬生生开拓出自己的庄园。Faulkner 曾说,他是一个“渴望儿子,却最终被儿子毁灭的人”。

Hacker News 上怎么说

  • …交织成黄色的斜长光斑,里面满是浮尘,昆丁觉得那是斑驳百叶窗上吹进来的死气沉沉的干枯旧漆皮,就像风吹落它们那样。”——福克纳《押沙龙,押沙龙!》(Absalom, Absalom)。读读福克纳或多斯·帕索斯(Dos Passos),去体会一个世纪前人们感受到的那种酷热吧。

    …became latticed with yellow slashes full of dust motes which Quentin thought of as being flecks of the dead old dried paint itself blown inward from the scaling blinds as wind might have blown them.” — Absalom, Absalom by Faulkner Read Faulkner or Dos Passos to experience heat as people did a century ago.

  • …事件。世界更像那不勒斯,而不是新加坡。如果所谓‘时间’指的无非就是发生的一切,那么万事万物皆是时间。世上唯有存在于时间之中的事物。”对我青少年时期影响极深的书:福克纳的《Absalom, Absalom》、约翰·多斯·帕索斯的《USA》三部曲、罗兰兹的《Cache Lake Country》

    …events. The world is more like Naples than Singapore. If by 'time' we mean nothing more than happening, then everything is time. There is only that which exists in time." Very influential in my teens: Absalom, Absalom by Faulkner USA by John Dos Passos Cache Lake Country by Rowlands

  • 在我十几岁时对我影响极大的书:福克纳的《押沙龙,押沙龙!》、约翰·多斯·帕索斯的《美国》、Rowlands 的《Cache Lake Country》;第一本我从头到尾读完的成年人大部头(当时迷得不行!最近重读了一遍依然很享受):凡尔纳的《神秘岛》

    Very influential in my teens: Absalom, Absalom by Faulkner USA by John Dos Passos Cache Lake Country by Rowlands First adult book I read all the way through (I was fascinated! Re-read it recently and enjoyed it.): The Mysterious Island by Verne

  • …我更倾向的结构)。“插入语在非正式写作和意识流文学中被广泛使用。尤为值得一提的是美国南部作家威廉·福克纳(参见《押沙龙,押沙龙!》以及《喧哗与骚动》中的昆丁章节)和诗人 E. E. 卡明斯。在大多数写作中,过度使用括号通常是文本结构糟糕的标志。若想达到更温和的效果,可以…

    …construction I prefer). "Parenthetical phrases have been used extensively in informal writing and stream of consciousness literature. Of particular note is the southern American author William Faulkner (see Absalom, Absalom! and the Quentin section of The Sound and the Fury) as well as poet E. E. Cummings. In most writing, overuse of parentheses is usually a sign of a badly structured text. A milder effect may be obtained…

  • …交织成黄色的斜长光斑,里面满是浮尘,昆丁觉得那是斑驳百叶窗上吹进来的死气沉沉的干枯旧漆皮,就像风吹落它们那样。”——福克纳《押沙龙,押沙龙!》(Absalom, Absalom)

    …became latticed with yellow slashes full of dust motes which Quentin thought of as being flecks of the dead old dried paint itself blown inward from the scaling blinds as wind might have blown them.” — Absalom, Absalom by Faulkner

  • …交织成黄色的斜长光斑,里面满是浮尘,昆丁觉得那是斑驳百叶窗上吹进来的死气沉沉的干枯旧漆皮,就像风吹落它们那样。”——福克纳《押沙龙,押沙龙!》(Absalom, Absalom)。就像 The Edge 筑起音墙一样,福克纳筑起了一座文字之墙。

    …became latticed with yellow slashes full of dust motes which Quentin thought of as being flecks of the dead old dried paint itself blown inward from the scaling blinds as wind might have blown them.” — Absalom, Absalom by Faulkner As The Edge builds a wall of sound, Faulkner builds a wall of words.

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