十二平均律如何毁了和声
How equal temperament ruined harmony
Ross W. Duffin · 初版 2007 年
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为什么值得读
- 梳理平均律成为主流的历史背景与得失
- 深入讲解调律系统在作曲中的作用与选择
- 揭示律制不完美性背后的微妙权衡
平装本初版；亦可在 Kindle 上阅读：http://www.amazon.com/Temperament-Ruined-Harmony-Should-ebook/dp/B001ULOPUY/
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如果你真对这个感兴趣，我强烈推荐看看 Ross Duffin 写的《How Equal Temperament Ruined Harmony (and Why You Should Care)》。
If you're really interested in this, I highly recommend checking out the book How Equal Temperament Ruined Harmony (and Why You Should Care) by Ross Duffin.
我也非常推崇 Ross Duffin 写的《How Equal Temperament Ruined Harmony (and Why You Should Care)》。
I also really appreciated "How Equal Temperament Ruined Harmony (and Why You Should Care)" by Ross Duffin.
……脱离了具体创作，对调音系统进行了更通用的描述。接下来的两本侧重于作曲，解释了调音系统如何作为音乐作品的一种选择。1)《How Equal Temperament Ruined Harmony》这本书提供了绝佳的历史背景，讲述了为什么十二平均律曾是一个极好的解决方案，以及我们后来怎么就有点被它绑死了。虽然任何人都能读，但要是懂一点音乐知识或者声学物理学……
…abstracted away from composition and provides a more general description of tuning systems. The next two are composition focused, explaining how tuning system is an option for musical works. 1) The book "How Equal Temperament Ruined Harmony" provides excellent historical context on why ET was a great solution and how we kind of got stuck with it. While it could be read by anybody, having a bit of musical knowledge OR physics of acoustics…
如果你觉得这事哪怕有那么一点点意思，我强烈推荐 Ross Duffin 的书《How Equal Temperament Ruined Harmony (And Why You Should Care)》https://search.worldcat.org/title/How-equal-temperament-ruin...
If you find this remotely intriguing, I highly recommend Ross Duffin's book How Equal Temperament Ruined Harmony (And Why You Should Care) https://search.worldcat.org/title/How-equal-temperament-ruin...
如果你对调音的不完美之处所带来的细微差异和权衡取舍感兴趣，我会推荐《How Equal Temperament Ruined Harmony》。
I'd recommend "How Equal Temperament Ruined Harmony" if you are interested in the nuances and trade offs of the imperfections of tuning.
你可能会觉得《How Equal Temperament Ruined Harmony》这本书很有意思，它相当有说服力地指出，1900年代以前的西方音乐是将等音视为不同音高的（旧意义上的“等音”似乎就是指这种区分）。歌唱家们……
You might find the book "How Equal Temperament Ruined Harmony" interesting, which presents a reasonably strong case that pre-1900s western music treated enharmonics as distinct pitches ("enharmonic" in the old sense seems to have referred to the distinction). Singers…