
风已吹过
The wind done gone
Alice Randall · 初版 2001 年
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在这部大胆而具挑衅性、吸引了举国关注与想象力的文学戏仿之作中,Alice Randall击碎了《GONE WITH THE WIND》所构建的世界——一部比其他任何作品都更能定义人们对战前美国南方认知的经典。Randall尖锐地将矛头对准这部南方经典所渲染的浪漫化、粉饰性的神话,巧妙地构思了一个属于她自己的层次丰富、情感复杂的故事:生为混血同父异母姐妹的Cynara,美丽动人、肤色黝黑,出生即为奴隶,却设法摆脱了旧南方的残害世界,最终……
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……重温青少年时期读过的科幻小说时,你很容易忘记自己其实也潜移默化地接受了一些过时的观念。读一读《飘》,再读读《风儿已逝》,你会得到完全不同的叙述视角。
…reexamine the SF you read as a teen, you might easily forgot how you've also been enculturated with some outdated ideals. Read "Gone With the Wind" and you get a very different account than reading "The Wind Done Gone".
>这就像你读了一本法文书,然后用自己的话写出来一样。这属于侵犯版权。比如参见《风儿已逝》案。
>it would be same as if you read a French book and wrote it in your own words. Which would be copyright infringement. See e.g. The Wind Done Gone.
……重写整部故事?最简单的例子就是同样的段落,换用不同的句子结构。最复杂的例子大概就像《飘》引出了《风儿已逝》。(一本从另一个角色视角重写的小说,哪怕这个角色在前作中压根没被提及)。出于某种原因,我真的非常着迷于这个想法。
…to rewrite complete stories? The simplest example would be the same paragraphs with sentences with different structures. The most complex would be something like Gone with the Wind leading with The Wind Done Gone. (A book rewritten from another characters perspective even though that character was never mentioned in the former). I'm really fascinated by this idea for some reason.
一直让我印象深刻的反例是小说《风儿已逝》(The Wind Done Gone):http://en.wikipedia.org/wiki/The_Wind_Done_Gone。它是从黑奴的视角对《飘》进行的重构——也是对原著的直接批判,而且是未经授权进行盈利性出版的。……
The counter-example that has stuck with me is the novel "The Wind Done Gone": http://en.wikipedia.org/wiki/The_Wind_Done_Gone. It's Gone with the Wind, re-imagined from a slave's point of view - and a direct criticism of the work, published for profit and without permission.…
……版权侵权,”据我的理解,这更多是英国那边的做法。美国的看法不同。参见 https://en.wikipedia.org/wiki/Legal_issues_with_fan_fiction 举一个具体的美国案例,参见《风儿已逝》,“这是一部畅销历史小说,以另一种视角重新叙述了玛格丽特·米切尔1936年的美国小说《飘》中的故事。虽然《飘》的故事聚焦于……
…copyright infringement," This is (as I understand it) more of a UK thing. The US has a different view. See https://en.wikipedia.org/wiki/Legal_issues_with_fan_fiction As a specific US example, see "The Wind Done Gone", "a bestselling historical novel that tells an alternative account of the story in the American novel Gone with the Wind (1936) by Margaret Mitchell. While the story of Gone with the Wind focuses on…
……受版权保护,所以运用学到的事实是自由的,但独创性作品通常都享有版权。如果你受读过的一本书启发写了自己的书,那可能构成侵犯版权(参见《风儿已逝》)。如果你在自己的作品中哪怕使用了他人作品极微小的一个片段,哪怕不是有意识的,也可能构成侵犯版权(参见《My Sweet Lord》一案)。
…copyrighted, so applying the facts you learned is free, but creative works are generally copyrighted. If you write your own book inspired by a book you read, that can be copyright infringement (see The Wind Done Gone). If you use even a tiny fragment of someone else's work in your own, even if not consciously, that can be copyright infringement (see My Sweet Lord).