神圣恐怖
Holy Terror
Bob Colacello · 初版 1990 年
2位读者提及
2次提及
在1960年代，Andy Warhol 的画作重新定义了现代艺术。他的电影引发了激烈争议，而他的 Factory 则是先锋派艺术家的聚会圣地。到了1970年代，在经历 Valerie Solanas 的刺杀未遂后，Warhol 变得更具商业头脑，开始与富豪和名流为伍。Warhol 创办的 Interview 杂志的编辑 Bob Colacello，在那十年间以雇员、合作者、副手兼知己的身份常伴其左右。在本书中，Colacello 带我们跟随 Andy 的足迹：走进 Factory 办公室，步入 Studio 54，踏入名流云集的狂野派对，以及接听清晨的电话
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……至少把物品_称作_“ready made art”（现成物艺术），但（如果我没记错的话）并没有提到杜尚。不过我也可能记错了。[1] http://en.wikipedia.org/wiki/Bob_Colacello [2] http://www.amazon.com/Holy-Terror-Andy-Warhol-Close/dp/08154...
…at least _refer to_) items as "ready made art", without (if I recall correctly) reference to Duchamp. But I could be mistaken. [1] http://en.wikipedia.org/wiki/Bob_Colacello [2] http://www.amazon.com/Holy-Terror-Andy-Warhol-Close/dp/08154...
……挺有意思，我也读过几遍，但每次看到胸口文着纳粹万字旗女人的那段，我都忍不住想这到底图啥啊。《Strikes Back》很烂，接着出的《Holy Terror》又是一出排外主义的刻板讽刺。自那之后我就对他搞的东西没啥兴趣了。我确实见过他的一条评论，似乎表明他在某些极端观点上有所退缩……
…a bit and I've read it a few times but every time I get to the part with the woman with swastikas tattooed on her boobs I can't help but wonder what the point of that was. Strikes Back was bad. Then Holy Terror came out and it was a xenophobic caricature. Since then I haven't had much interest in anything he's done. I did see a comment from him that seems to indicate he's walked back some of his extremist views…