We don't have a large corpus of music labelled "feels" because "feels" and "evocations" are not atomic objects. It's not obvious they're objects at all. Debussy's La Mer is an excellent evocation of the sea, but you're not going to learn anything useful by throwing it into a bucket with a sea shanty. Or with Britten's Four Sea Interludes. The absolute best you'll get…
……写了没完没了的漫无边际或陈词滥调的段落。Debussy 在实验的同时，逐个音符地创造了完美的连贯性。然而，他没有“伟大作品”。它们都差不多，甚至《La Mer》也是。3. Rachmaninov。达到了某些可能的最高峰，尽管他充满错误和失误。《Paganinni variations》与第九交响曲、Brahms 的安魂曲和 Bach 的 B 小调……并列神坛。
…wrote endless meadering or cliche'd passages. Debussy produced consisent note-by-note perfection, combined with experimentation. He, however, has no "great works". They all stand about the same, even La Mer. 3. Rachmaninov. Reached some of the greatest possible heights, though he is full of mistakes and lapses. The Paganinni variations sits on a pedestal along with the 9th, Brahms' requiem, and Bach's Bm…
The summary of his personal life in Wikipedia was also interesting. https://en.wikipedia.org/wiki/Claude_Debussy#Personal_life Thanks OP, Bioshock's use of La Mer introduced me to Debussy and that was a great read.
…popular enough that researchers understood this through line pretty well. This image continues to influence artists today. Check out the cover of this Debussy composition: https://en.wikipedia.org/wiki/La_mer_(Debussy). There aren't such homages on this scale to others like Yoshitoshi or Sharaku. There were also a lot of prints of this thing, which means many museums can have a print and display it, so it…
…a couple of decades, but his work was known in Paris and almost certainly influenced the movement. Also worth noting this particular work's influence on Impressionist music: see the cover of Debussy's La Mer.
我们没有大量标记为“感觉”的音乐语料库，因为“感觉”和“唤起”不是原子对象。它们是否完全是对象都不明显。Debussy 的《La Mer》是对海洋的绝佳唤起，但把它和海员号子扔进同一个桶里，你学不到任何有用的东西。或者和 Britten 的《Four Sea Interludes》一起。你最多只能得到……
We don't have a large corpus of music labelled "feels" because "feels" and "evocations" are not atomic objects. It's not obvious they're objects at all. Debussy's La Mer is an excellent evocation of the sea, but you're not going to learn anything useful by throwing it into a bucket with a sea shanty. Or with Britten's Four Sea Interludes. The absolute best you'll get…
……写了没完没了的漫无边际或陈词滥调的段落。Debussy 在实验的同时，逐个音符地创造了完美的连贯性。然而，他没有“伟大作品”。它们都差不多，甚至《La Mer》也是。3. Rachmaninov。达到了某些可能的最高峰，尽管他充满错误和失误。《Paganinni variations》与第九交响曲、Brahms 的安魂曲和 Bach 的 B 小调……并列神坛。
…wrote endless meadering or cliche'd passages. Debussy produced consisent note-by-note perfection, combined with experimentation. He, however, has no "great works". They all stand about the same, even La Mer. 3. Rachmaninov. Reached some of the greatest possible heights, though he is full of mistakes and lapses. The Paganinni variations sits on a pedestal along with the 9th, Brahms' requiem, and Bach's Bm…
维基百科上关于他个人生活的总结也很有趣。https://en.wikipedia.org/wiki/Claude_Debussy#Personal_life 谢谢 OP，Bioshock 对《La Mer》的使用让我认识了 Debussy，那是一次很棒的阅读。
The summary of his personal life in Wikipedia was also interesting. https://en.wikipedia.org/wiki/Claude_Debussy#Personal_life Thanks OP, Bioshock's use of La Mer introduced me to Debussy and that was a great read.
……足够流行，研究人员很好地理解了这条线索。这张图片至今仍在影响艺术家。看看这个 Debussy 作品的封面：https://en.wikipedia.org/wiki/La_mer_(Debussy)。对 Yoshitoshi 或 Sharaku 等人没有这种规模的致敬。这件作品也有很多印刷品，这意味着许多博物馆可以拥有并展示它，所以它……
…popular enough that researchers understood this through line pretty well. This image continues to influence artists today. Check out the cover of this Debussy composition: https://en.wikipedia.org/wiki/La_mer_(Debussy). There aren't such homages on this scale to others like Yoshitoshi or Sharaku. There were also a lot of prints of this thing, which means many museums can have a print and display it, so it…
……几十年，但他的作品在巴黎闻名，几乎肯定影响了这场运动。同样值得注意的是这件作品对印象派音乐的影响：见 Debussy 的《La Mer》封面。
…a couple of decades, but his work was known in Paris and almost certainly influenced the movement. Also worth noting this particular work's influence on Impressionist music: see the cover of Debussy's La Mer.