解放自然嗓音
Freeing the natural voice
Kristin Linklater · 初版 1976 年
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“阐述了发声的力学原理以及自然、有效发声表达的障碍，并详述了将声音作为人类及演员表达工具进行开发与强化的训练方法。”
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Freeing the natural voice
Kristin Linklater · 初版 1976 年
“阐述了发声的力学原理以及自然、有效发声表达的障碍，并详述了将声音作为人类及演员表达工具进行开发与强化的训练方法。”
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……听众更多是在关注朗读者本人，而不是故事本身，这是个问题，因为真正需要打动人心的是故事。如果你好奇的话，必读的经典之一是 Cicely Berry 的书《Voice and the actor》以及 Kristin Linklater 的《Freeing the natural voice》。
…the narrator than to the story itself, which is a problem, as it is the story that has to transcend. If you are curious, one of the classics to read are Cicely Berry's books "Voice and the actor" and "Freeing the natural voice" from Kristin Linklater.
……表演。关于心理学与发声之间的联系，可以看 Jennifer Hamady 的《歌唱的艺术》（The Art of Singing）。关于戏剧发声及其背后心理学的经典著作是 Kristin Linklater 的《释放自然之声》（Freeing the Natural Voice），它还借鉴了神经科学家 Antonio Damasio 的研究成果，比如《笛卡尔的错误》（Descartes' Error），这为我们的大脑是如何投射在身体上提供了科学依据。在身体机能方面，可以从 Mary……
…acting. For the link between psychology and vocal production, see Jennifer Hamady's "The Art of Singing". The classic text on acting voice production and the psychology behind it is Kristin Linklater's "Freeing the Natural Voice", which also draws from neuroscientist Antonio Damasio's work such as "Descartes' Error" which provides a scientific basis for how our mind is reflected in our body. In terms of bodywork, start with Mary…
……提供了支持性证据（我不记得书里有没有讨论过这个）。我学过也教过戏剧发声，遵循的是所谓的“自然之声”（Natural Voice）训练法。（可以去找一本叫《释放自然之声》的书，Kristin Linklater 著，虽然从那之后其他从业者对其进行了扩充。）总括来说：人体拥有天然的共鸣腔，就像吉他或小提琴的共鸣箱一样；身体里的紧张感……
…contribute supporting evidence (that I don't recall being discussed in the book). I've taken and taught voice for theatre, following what's called the 'Natural Voice' method. (Look for a book called "Freeing the Natural Voice", by Kristin Linklater, though other practitioners have augmented that since.) To summarize: bodies have natural resonating chambers, that act like the sound-box of a guitar or violin; tension in the…