Richard Yates 的《革命之路》（Revolutionary Road）。因为它揭露了我们这个时代最大的阴谋。还有 Walker Percy 的《看电影的人》（The Moviegoer），原因也是一样。真正的所谓“震撼/烧脑（mindfuck）”是你读到的东西瓦解了你周围的现实，而不是用建立在隐喻之上的乌托邦承诺把你打发到……
"Revolutionary Road", by Richard Yates. Because it uncovers the greatest conspiracy of our time. Also "The Moviegoer" by Walker Percy, for the same reason. The real so called "mindfuck" comes when what you read unravels the reality around you, not when it sends you in some utopia with the promise of a metaphor built…
You've never read Walker Percy's The Moviegoer. He writes eloquently about how we seem to believe that the only truly real people are those we see on the big screen and if by chance we come into contact with one, we often feel more alive...
Other existentialist works include: - "The Plague", by Albert Camus - "Metamorphisis", by Franz Kafka - "The Moviegoer", by Walker Percy - "The Bridge Over San Luis Rey", by Thornton Wilder I can't say they are enjoyable or relevant in the way Dostoevsky's books are.
……牢牢抓住上帝不放，直到上帝表明身份并赐福给他。”他在《看电影的人》一书中描绘了一种被称为“超自然存在主义”（supernatural existential）、“自然的渴求”（desiderium naturale）或“人作为旅人”（Man as Wayfarer）的世界观，这里有详细解释：http://liamk.org/moviegoer/
…aholt of God and would not let go until God identified himself and blessed him." He portrays a worldview known as the supernatural existential, desiderium naturale, or Man as Wayfarer in his book The Moviegoer explained here: http://liamk.org/moviegoer/
I was wrong. My thinking seems to have been "I've seen that before; the British have a different term; ergo it's British." In fact, "neutral ground" was familiar from Walker Percy's novel The Moviegoer, which is set in New Orleans.
Richard Yates 的《革命之路》（Revolutionary Road）。因为它揭露了我们这个时代最大的阴谋。还有 Walker Percy 的《看电影的人》（The Moviegoer），原因也是一样。真正的所谓“震撼/烧脑（mindfuck）”是你读到的东西瓦解了你周围的现实，而不是用建立在隐喻之上的乌托邦承诺把你打发到……
"Revolutionary Road", by Richard Yates. Because it uncovers the greatest conspiracy of our time. Also "The Moviegoer" by Walker Percy, for the same reason. The real so called "mindfuck" comes when what you read unravels the reality around you, not when it sends you in some utopia with the promise of a metaphor built…
你肯定没读过 Walker Percy 的《看电影的人》。他文笔极具感染力，描写了我们似乎总觉得只有大银幕上的人才是唯一真实存在的人，要是机缘巧合跟这样的人接触一下，我们往往会觉得自己更有生机了……
You've never read Walker Percy's The Moviegoer. He writes eloquently about how we seem to believe that the only truly real people are those we see on the big screen and if by chance we come into contact with one, we often feel more alive...
其他存在主义作品还包括：- 阿尔贝·加缪的《鼠疫》 - 弗兰茨·卡夫卡的《变形记》 - Walker Percy 的《看电影的人》 - 桑顿·怀尔德的《圣路易斯雷大桥》。我不好说它们能像陀思妥耶夫斯基的书那样引人入胜或发人深省。
Other existentialist works include: - "The Plague", by Albert Camus - "Metamorphisis", by Franz Kafka - "The Moviegoer", by Walker Percy - "The Bridge Over San Luis Rey", by Thornton Wilder I can't say they are enjoyable or relevant in the way Dostoevsky's books are.
……牢牢抓住上帝不放，直到上帝表明身份并赐福给他。”他在《看电影的人》一书中描绘了一种被称为“超自然存在主义”（supernatural existential）、“自然的渴求”（desiderium naturale）或“人作为旅人”（Man as Wayfarer）的世界观，这里有详细解释：http://liamk.org/moviegoer/
…aholt of God and would not let go until God identified himself and blessed him." He portrays a worldview known as the supernatural existential, desiderium naturale, or Man as Wayfarer in his book The Moviegoer explained here: http://liamk.org/moviegoer/
我搞错了。我当时的想法似乎是“我见过这词；英国人有个不一样的说法；所以这就是英国说法”。其实，“neutral ground（中间隔离带）”是在 Walker Percy 以新奥尔良为背景的小说《看电影的人》里看熟的。
I was wrong. My thinking seems to have been "I've seen that before; the British have a different term; ergo it's British." In fact, "neutral ground" was familiar from Walker Percy's novel The Moviegoer, which is set in New Orleans.