如果你在玩即兴表演（Impro），我推荐读读 Spolin 的书——《Improvisation for the theater》。第一部分（理论部分）最有趣，它向我展示了一些我作为即兴新手自己没琢磨明白的东西。在即兴游戏或剧目中，你拿到一个角色，并有一个目标要去……
If you're doing Impro, I can recommend reading the book by Spolin - Improvisation for the theater. The first (theoretical) part was the most interesting as it showed to me something I hadn't figured out myself, doing impro as a beginner. In an impro game or play, you get a role and have a goal to…
……你可以读读 Daniel Kahneman 的《思考，快与慢》，或者也可以选 Tom McCarthy 的精彩小说《Remainder》。如果你对现场表演感兴趣，或许可以翻翻 Viola Spolin 的《Improvisation for the Theater》，或者试试 Philip Roth 的《Sabbath's Theater》。然后重复这个过程，继续追随你的好奇心。再挑另一本书，可能你读的第一本书会促使你去选下一本。你会想从同一个……获取更多
…could pick up Daniel Kahneman's Thinking Fast and Slow or maybe you could choose Tom McCarthy's amazing novel Remainder. If you're interested in live performance maybe you could pick up Viola Spolin's Improvisation for the Theater or maybe try Philip Roth's Sabbath's Theater. Then repeat, follow your curiosity again. Pick another book, maybe the first book you read pushes you towards selecting another. You want more from the same…
……他这个职业的本质，成功与过失（尤其是后者）。经常触及甚至深入到个人层面。不致于病态致郁，但往往透着悲伤。Keith Johnstone 的《Impro for Storytellers》。Viola Spolin 的《Improvisation for the Theater》。两本关于即兴表演的好书，不过 Spolin 的书对我来说太枯燥、理论性太强了（它是写给老师而不是表演者的）。然而，这两本跟 Keith Johnstone 早期那本比起来都……
…nature of his profession, successes and mistakes (especially the latter). Frequently touches or verges into the personal. Not morbid, but often sad. Keith Johnstone, Impro for Storytellers. Viola Spolin, Improvisation for the Theater Two very good books about improvisation, although Spolin's is too dry and theory-laden for me (it's meant for teachers more than practitioners). Both, however, pale compared to Keith Johnstone's earlier…
……受到他人注视的影响。美国即兴戏剧的根基源于芝加哥赫尔大厦（Hull House）的 Neva Boyd 及其学生 Viola Spolin 开发的社交游戏，收录在 Spolin 的《Improvisation for the Theater》一书中。这些游戏依赖于对他人面部表情以及一言一行的敏锐感知。一个人自发的、未经雕琢的反应才是创造力和乐趣的源泉。我在这里可以证明，这种社交互动……
…by the gaze of others. The foundation of American improv theater came out of socializing games developed by Neva Boyd at Hull House in Chicago and her student Viola Spolin, published in Spolin's book, Improvisation for the Theater. These games rely on attuning to the faces of others and what they say and do. One's spontaneous, untutored reactions are the source of creativity and fun. I will testify here that the social engagement…
如果你在玩即兴表演（Impro），我推荐读读 Spolin 的书——《Improvisation for the theater》。第一部分（理论部分）最有趣，它向我展示了一些我作为即兴新手自己没琢磨明白的东西。在即兴游戏或剧目中，你拿到一个角色，并有一个目标要去……
If you're doing Impro, I can recommend reading the book by Spolin - Improvisation for the theater. The first (theoretical) part was the most interesting as it showed to me something I hadn't figured out myself, doing impro as a beginner. In an impro game or play, you get a role and have a goal to…
……你可以读读 Daniel Kahneman 的《思考，快与慢》，或者也可以选 Tom McCarthy 的精彩小说《Remainder》。如果你对现场表演感兴趣，或许可以翻翻 Viola Spolin 的《Improvisation for the Theater》，或者试试 Philip Roth 的《Sabbath's Theater》。然后重复这个过程，继续追随你的好奇心。再挑另一本书，可能你读的第一本书会促使你去选下一本。你会想从同一个……获取更多
…could pick up Daniel Kahneman's Thinking Fast and Slow or maybe you could choose Tom McCarthy's amazing novel Remainder. If you're interested in live performance maybe you could pick up Viola Spolin's Improvisation for the Theater or maybe try Philip Roth's Sabbath's Theater. Then repeat, follow your curiosity again. Pick another book, maybe the first book you read pushes you towards selecting another. You want more from the same…
……他这个职业的本质，成功与过失（尤其是后者）。经常触及甚至深入到个人层面。不致于病态致郁，但往往透着悲伤。Keith Johnstone 的《Impro for Storytellers》。Viola Spolin 的《Improvisation for the Theater》。两本关于即兴表演的好书，不过 Spolin 的书对我来说太枯燥、理论性太强了（它是写给老师而不是表演者的）。然而，这两本跟 Keith Johnstone 早期那本比起来都……
…nature of his profession, successes and mistakes (especially the latter). Frequently touches or verges into the personal. Not morbid, but often sad. Keith Johnstone, Impro for Storytellers. Viola Spolin, Improvisation for the Theater Two very good books about improvisation, although Spolin's is too dry and theory-laden for me (it's meant for teachers more than practitioners). Both, however, pale compared to Keith Johnstone's earlier…
……受到他人注视的影响。美国即兴戏剧的根基源于芝加哥赫尔大厦（Hull House）的 Neva Boyd 及其学生 Viola Spolin 开发的社交游戏，收录在 Spolin 的《Improvisation for the Theater》一书中。这些游戏依赖于对他人面部表情以及一言一行的敏锐感知。一个人自发的、未经雕琢的反应才是创造力和乐趣的源泉。我在这里可以证明，这种社交互动……
…by the gaze of others. The foundation of American improv theater came out of socializing games developed by Neva Boyd at Hull House in Chicago and her student Viola Spolin, published in Spolin's book, Improvisation for the Theater. These games rely on attuning to the faces of others and what they say and do. One's spontaneous, untutored reactions are the source of creativity and fun. I will testify here that the social engagement…