…free to believe what you want, and it's neither my business nor my concern whether or not you pass on your particular genes, I just can't resist this discussion. Related reading if you're interested: Albert Camus (The Stranger, The Myth of Sisyphus), Sartre (Nausea, Being and Nothingness)
…less conventional advice that has sometimes worked for me is to totally embrace the feeling of being somber, and binge on some of the classic sort of miserable apathetic existentialist books. Things like Albert Camus' The Stranger, Sartre's Nausia, Beckett's Waiting for Godot, and Dostoyevsky's Notes from Underground. Sometimes after I have read those works, after I have stopped trying to ignore the feeling and just went all in…
> There were short, punchy openers like: Mother died today –Albert Camus, The Stranger Well, that's only half the line. The real punch is the next part: > Mother died today. Or maybe it was yesterday, I don't know
阿尔贝·加缪的《局外人》，欧内斯特·海明威的《老人与海》。读过很多遍了，我就喜欢篇幅短的书！
Albert Camus, the stranger Earnest hemmingway, the old man and the sea Have read many times, I like short books!
……想信什么是你的自由，你传不传承自己独特的基因既不关我的事也不是我操心的，我只是忍不住想参与这个讨论。有兴趣的话可以读读相关书目：阿尔贝·加缪（《局外人》《西西弗神话》），萨特（《恶心》《存在与虚无》）
…free to believe what you want, and it's neither my business nor my concern whether or not you pass on your particular genes, I just can't resist this discussion. Related reading if you're interested: Albert Camus (The Stranger, The Myth of Sisyphus), Sartre (Nausea, Being and Nothingness)
……一个不那么常规但有时对我管用的建议是：彻底接纳低落沉郁的情绪，疯狂狂补一波经典的消极厌世存在主义作品。比如阿尔贝·加缪的《局外人》、萨特的《恶心》、贝克特的《等待戈多》，还有陀思妥耶夫斯基的《地下室手记》。有时候读完这些作品，不再试图压抑那种情绪而是彻底沉浸进去之后……
…less conventional advice that has sometimes worked for me is to totally embrace the feeling of being somber, and binge on some of the classic sort of miserable apathetic existentialist books. Things like Albert Camus' The Stranger, Sartre's Nausia, Beckett's Waiting for Godot, and Dostoyevsky's Notes from Underground. Sometimes after I have read those works, after I have stopped trying to ignore the feeling and just went all in…
> 里面有一些短促有力的开篇，比如：今天，妈妈死了。——阿尔贝·加缪《局外人》 呃，这其实才半句话。真正的暴击在后半截：> 今天，妈妈死了。也许是昨天，我不知道
> There were short, punchy openers like: Mother died today –Albert Camus, The Stranger Well, that's only half the line. The real punch is the next part: > Mother died today. Or maybe it was yesterday, I don't know