如果你想做音乐，又不想去学乐理，去买一本叫《The Art of Mixing》的书。它不会教你如何写歌，但能为你搞音乐制作打下坚实的基础。你一开始完全可以先在网上找点 loops 和 samples，然后直接把轨道拼在一起……
If you want to make music, but don't care about music theory, get a book called The Art of Mixing. It won't tell you how to write a song, but it'll start you with a solid foundation for music production. You can start by just finding loops and samples online and putting tracks together that way.…
……能听到笔在纸上摩擦的声音。但现实中这根本不可能被听到。爆炸声总会因为音量过大导致麦克风 clipping 发生失真，等等。关于空间模拟，David Gibson 的《The Art of Mixing》是一本神作。虽然有些年头了，但永远不过时
…hear the pen on paper. But irl, there’s not a chance it’s audible. Explosions are always distorted because microphones end up clipping due to the volume, etc. A great book on spatial simulation is The Art of Mixing by David Gibson. Older but forever relevant
如果你想做音乐，又不想去学乐理，去买一本叫《The Art of Mixing》的书。它不会教你如何写歌，但能为你搞音乐制作打下坚实的基础。你一开始完全可以先在网上找点 loops 和 samples，然后直接把轨道拼在一起……
If you want to make music, but don't care about music theory, get a book called The Art of Mixing. It won't tell you how to write a song, but it'll start you with a solid foundation for music production. You can start by just finding loops and samples online and putting tracks together that way.…
……能听到笔在纸上摩擦的声音。但现实中这根本不可能被听到。爆炸声总会因为音量过大导致麦克风 clipping 发生失真，等等。关于空间模拟，David Gibson 的《The Art of Mixing》是一本神作。虽然有些年头了，但永远不过时
…hear the pen on paper. But irl, there’s not a chance it’s audible. Explosions are always distorted because microphones end up clipping due to the volume, etc. A great book on spatial simulation is The Art of Mixing by David Gibson. Older but forever relevant