从剧本到银幕的动画
Animation from script to screen
Shamus Culhane · 初版 1988 年
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《Popeye》和《Donald Duck》的动画创作者探讨了电影动画的方方面面，并包含130多幅插图。
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Animation from script to screen
Shamus Culhane · 初版 1988 年
《Popeye》和《Donald Duck》的动画创作者探讨了电影动画的方方面面，并包含130多幅插图。
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并不完整，排名也不分先后：Richard Williams 的《Animator's Survival Kit》（原画师生存手册）；Frank Thomas 和 Ollie Johnston 的《Illusion of Life》（生命的幻象）；Shamus Culhane 的《Animation from Script to Screen》（从剧本到银幕的动画制作）；Kimon Nicolaïdes 的《Natural Way to Draw》（自然素描法）；Andrew Loomis 的《Creative Illustration》（素描创造力）；Harold Whitaker 和 John Halas 的《Timing for Animation》（动画的时间掌握）；《Drawn to Life》第 1、2 卷，…
Not exhaustive, or in any particular order: _Animator's Survival Kit_, by Richard Williams. _Illusion of Life_, by Frank Thomas and Ollie Johnston. _Animation from Script to Screen_, by Shamus Culhane. _Natural Way to Draw_, by Kimon Nicolaïdes. _Creative Illustration_, by Andrew Loomis. _Timing for Animation_, by Harold Whitaker and John Halas. _Drawn to Life_, vols. 1 & 2,…
……学编程就像我们在写作课上通过参与批评审议和讨论来培养批判性思维一样。“快”有“快”的用处。比如在 Shamus Culhane 的书《Animation: from Script to Screen》中，他谈到了快速草绘且不受批判性打断的好处，以便保持心流（creative flow）。他极力主张甚至连画错的一根铅笔线都不要擦，因为一旦擦掉就会引入批判性分析……
…learning programming similar to the ways that we learn critical reasoning in writing courses by contributing to critique and discussion. 'Fast' has its purposes. For example, in Shamus Culhane's book "Animation: from Script to Screen", he talks about the advantages of sketching fast without critical interruption to maintain creative flow. He was adamant about not even erasing one wrong pencil line because it brought critical analysis…