《空气吉他》封面

空气吉他

Air guitar

Dave Hickey · 初版 1997 年

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  • 我最喜欢的音乐随笔之一是一位名叫 Dave Hickey 的艺术评论家兼画商写的。他写过一本名为《Air Guitar》的随笔集,就算你(像我一样)对艺术品交易或艺术评论完全不感冒,也非常值得一读。他谈论艺术对生活的价值时写得极其透彻。总之,在《The Delicacy of……》那一章里……

    On of my favorite essays on music is by an art critic/dealer named Dave Hickey. He wrote a collection of essays called Air Guitar, which is worth picking up even if (like me) you're not interested in art dealing or art criticism. He's a very lucid writer about the value of art for life. Anyway, in the chapter "The Delicacy of…

  • ……它自身的持久生命力,还是仅仅因为 MoMA 告诉我们应该记住它。”但难道所有当代艺术收藏不都是这样吗?这让我想起 Dave Hickey 在《Air Guitar》里的一句话:“既然在艺术界没有任何绝对的权威,在经济界也是如此,那我们可以假定,任何一种观点都会存在与之相反的观点。因此,一件艺术作品或一件……的社会价值

    …its own staying power, or just because the MoMA told us that we ought to remember it." Isn't that the case with all contemporary art acquisitions, though? I'm reminded of this quote by Dave Hickey from Air Guitar: "Since there is no absolute authority in the art world, or in the economic world either, we may presume that for every opinion, there is a contrary one. Thus, the social value of a work of art, or an…

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