浪漫一代
The romantic generation
Charles Rosen · 初版 1995 年
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罗森（Rosen）探讨了19世纪作曲家如何拓宽音乐的边界，以及他们与文学、自然风光和神圣维度的交融。
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The romantic generation
Charles Rosen · 初版 1995 年
罗森（Rosen）探讨了19世纪作曲家如何拓宽音乐的边界，以及他们与文学、自然风光和神圣维度的交融。
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……学术著作中对“拼贴（pastiche）”与“戏仿（parody）”两词做了精细的区分，不过这些论述主要针对的是古典主义时期及之后，远在戏仿弥撒曲盛行之后了。查尔斯·罗森（Charles Rosen，他的《浪漫一代/The Romantic Generation》如今已是一部经典，虽说颇有争议）尤为明确地指出过不少在他看来属于拼贴而非戏仿的作品。
…terms "pastiche" and "parody" carefully delineated in scholarly works, though these have been commenting primarily in the classical eras and later, long after the parody masses. Charles Rosen (whose The Romantic Generation is now a classic, if controversial text) in particular has pointed out quite a few works he sees as pastiches as opposed to parodies.
……对应相同声音的不同记谱。记谱具有模糊性，这可能既是困扰的来源（对学生而言），也是创新的源泉（对作曲家而言）。查尔斯·罗森（Charles Rosen）在他的《浪漫一代》（The Romantic Generation）开篇就展开了一段引人入胜的讨论，探讨那种“只可眼观、不可耳闻”的音乐，以此来切入这一哲学问题。当然，这种做法的历史要久远得多。作曲家们一直在记谱上做文章……
…notations which correspond to the same sound. Notation is ambiguous, and this can be a source of both frustration (for the students) and invention (for the composers). Charles Rosen opens his book The Romantic Generation with a fascinating discussion about music which is seen and not heard which deals with this philosophical issue. Of course this practice goes back much further. Composers have been playing with notation…
理查德·霍姆斯（Richard Holmes）写过一本很棒的书，叫《奇迹时代：浪漫一代与科学的壮丽与惊恐》（Age of Wonder: The Romantic Generation and the Discovery of the Beauty and Terror of Science），讲的是牛顿与达尔文之间那个科学与艺术水乳交融的时期——那时候像柯勒律治（Coleridge）这样的诗人都……
There's a great book called "Age of Wonder: The Romantic Generation and the Discovery of the Beauty and Terror of Science" by Richard Holmes that is about the period between Newton and Darwin in which science and art were mixed -- you had poets like Coleridge who were…