白鹿酒馆的故事
Tales from the White Hart
Arthur C. Clarke · 初版 1940 年
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一部融合了喜剧与惊悚元素的科幻小说合集，收录了包括《Silence Please》、《Critical Mass》和《What Goes Up》在内的多部作品。
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Tales from the White Hart
Arthur C. Clarke · 初版 1940 年
一部融合了喜剧与惊悚元素的科幻小说合集，收录了包括《Silence Please》、《Critical Mass》和《What Goes Up》在内的多部作品。
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《白鹿亭夜话》（Tales from the White Hart，克拉克老爷子走好）激发了我对科学的兴趣，进而让我走上了 IT 之路。所以那是对我启发最大的。不过，我觉得我读过最棒的科幻小说还是 Iain M. Banks 的《Excession》（或者是《Feersum Endjinn》）。
Tales from the White Hart (Clarke, RIP) kicked off my interest in science and thus in IT. So that inspired me most. Still, I think the best SF I've read was Feersum Endjinn by Iain M. Banks.
读起来真有意思。亚瑟·C·克拉克的《白鹿亭夜话》（Tales From the White Hart）遇上了 Derek Lowe 的《绝不碰的化学品》（Things I Won't Work With），而且 Lowe 之后还在评论区现身了。感谢分享链接。
That was a fun read. Arthur C. Clarke's "Tales From the White Hart" meets Derek Lowe's "Things I Won't Work With", with Lowe showing up in the comments afterwards. Thanks for the link.
呵，不好意思我不能同意，完全不是这么回事。我十几岁的时候，也就是70年代，是从亚瑟·C·克拉克的短篇《埃尔敏特鲁德·英奇的坠楼案》（The Defenestration of Ermintrude Inch）里学到这个词的，出自他的科幻吹牛故事集《白鹿亭夜话》（Tales from the White Hart）。
Heh, sorry to disagree, but that's a big nope. I learned the word in my teens, back in the 70s, from the Arthur C. Clarke story "The Defenestration of Ermintrude Inch" in his "Tales from the White Hart" collection of SF-oriented tall tales.
“Defenestrate”（把人扔出窗外）不在我的词单里，但我肯定认得这个词，因为我知道它的来源：(1) A.C. 克拉克的一个短篇小说（如果我没记错的话，是《白鹿亭夜话》里的《埃尔敏特鲁德·英奇的坠楼案》）；(2) 布拉格掷出窗外事件（我去过布拉格城堡——那里显然发生过好几次扔出窗外事件）。这是个有趣（引人发笑？）又毛骨悚然的词。……
"Defenestrate" was not in my list, but it's a word I would have gotten, as I know it from: (1) An A.C. Clarke short story ("The Defenestration of Ermintrude Inch", in "Tales from the White Hart", if I remember correctly); and (2) The Defenstration of Prague (I have visited Prague Castle - there were apparently multiple defenestrations there). It's an interestingly (amusingly?) macabre word.…
今天才知道（TIL）《白鹿亭夜话》（Tales from the White Hart）在美国居然也有一帮读者——我还一直担心它那种战后英国的困窘气息（配给制和伦敦的污垢）让人感觉比哈里·普维斯讲的故事本身还要荒诞离奇呢。
TIL that "Tales from the White Hart" had at least some readership in the USA - I would have feared that its air of post-war English constraints (rationing and London grime) felt almost more fantastical than the accounts of Harry Purvis.