……纸质书。至少有十年的时间，20 美元的 CD 一直是常态，尽管磁带时代的音乐价格低得多，现在的价格也低得多。如果你对音乐行业特别感兴趣，可以去看看克诺珀的《自我毁灭的狂热》（Appetite for Self-Destruction）或者克恩费尔德的《流行歌曲盗版史》（Pop Song Piracy）。简而言之：在一个政府特许垄断的市场里，当整个市场都步调一致地倒向（同样）更高的定价时，事情看起来就有点猫腻了……
…tree books. For at least a decade $20 CDs were the norm despite much lower music prices in the cassette era and much lower prices now. Check out Knopper's 'Appetite for Self-Destruction' or Kernfeld's 'Pop Song Piracy' if you're interested in the music industry specifically. To cut it short: in a government-granted monopolized market, it seems a bit fishy when the entire market lurches in the (same) higher priced…
……在挑选金曲以及封堵替代性作品（或者阻止非主流音乐人和词曲作者进入流水线造星系统）方面。巴里·克纳在其著作《流行歌曲盗版史：自 1929 年以来的叛逆音乐传播》（Pop Song Piracy: Disobedient Music Distribution Since 1929）中讨论了对此的一种应对，涉及了伪书（fakebooks）、歌词单、磁带以及 MP3 等元素：https://www.cambridge.org/core/journals/popular-music/articl... 那个“新书……
…selecting hits and in blocking access to alternative productions (or of alternative acts' and songwriters' access to the hit-making machine). Barry Kerner has covered one response to this in his book Pop Song Piracy: Disobedient Music Distribution Since 1929, covering among other elements, fakebooks, songsheets, cassettes, and MP3s: https://www.cambridge.org/core/journals/popular-music/articl... The "New Books…
……纸质书。至少有十年的时间，20 美元的 CD 一直是常态，尽管磁带时代的音乐价格低得多，现在的价格也低得多。如果你对音乐行业特别感兴趣，可以去看看克诺珀的《自我毁灭的狂热》（Appetite for Self-Destruction）或者克恩费尔德的《流行歌曲盗版史》（Pop Song Piracy）。简而言之：在一个政府特许垄断的市场里，当整个市场都步调一致地倒向（同样）更高的定价时，事情看起来就有点猫腻了……
…tree books. For at least a decade $20 CDs were the norm despite much lower music prices in the cassette era and much lower prices now. Check out Knopper's 'Appetite for Self-Destruction' or Kernfeld's 'Pop Song Piracy' if you're interested in the music industry specifically. To cut it short: in a government-granted monopolized market, it seems a bit fishy when the entire market lurches in the (same) higher priced…
……在挑选金曲以及封堵替代性作品（或者阻止非主流音乐人和词曲作者进入流水线造星系统）方面。巴里·克纳在其著作《流行歌曲盗版史：自 1929 年以来的叛逆音乐传播》（Pop Song Piracy: Disobedient Music Distribution Since 1929）中讨论了对此的一种应对，涉及了伪书（fakebooks）、歌词单、磁带以及 MP3 等元素：https://www.cambridge.org/core/journals/popular-music/articl... 那个“新书……
…selecting hits and in blocking access to alternative productions (or of alternative acts' and songwriters' access to the hit-making machine). Barry Kerner has covered one response to this in his book Pop Song Piracy: Disobedient Music Distribution Since 1929, covering among other elements, fakebooks, songsheets, cassettes, and MP3s: https://www.cambridge.org/core/journals/popular-music/articl... The "New Books…