《禁闭》封面

禁闭

Huis-clos

Jean-Paul Sartre · 初版 1947 年

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Hacker News 上怎么说

  • ……比如:- 各大主流宗教的经典 - 《幸福之路》(伯特兰·罗素) - 《论攻击》(康拉德·洛伦茨) - 《群众与权力》(埃利亚斯·卡内蒂) - 《LSD,我的问题孩子》(阿尔伯特·霍夫曼) - 《禁闭》(让-保罗·萨特) - 《随笔集》(米歇尔·德·蒙田) - 《不一致的不一致》(伊本·鲁世德)

    …instance: - Scriptures of the major religions - The Conquest of Happiness (Bertrand Russell) - On Aggression (Konrad Lorenz) - Crowds and Power (Elias Canetti) - LSD, My Problem Child (Albert Hofmann) - Huis Clos (J.P. Sartre) - Essays by Michel de Montaigne - The Incoherence of the Incoherence (Ibn Rushd)

  • 萨特应该是最受欢迎的作家,《禁闭》(Huis Clos)更是经典之作(里面包含了那句名言“他人即地狱”)。我自己也挺喜欢《苍蝇》(Les Mouches)的。

    Sartre would be the most popular author, with "No Exit" (Huis Clos) being the classic text (it includes the famous "Hell is other people" line). I'm personally also rather fond of The Flies (Les Mouches).

  • ……所以可以看简明摘要(估计这依然算是一种“正经”的学习方式吧,我都能脑补出以前的讲师想到这儿直皱眉咬牙切齿的样子!)。24. 《禁闭》-(法文:Huis clos)——让-保罗·萨特。法文标题直译为英文是“In Camera”(秘密审判/闭门),不过在英语世界它更广为人知的名字是“No Exit”。《禁闭》是萨特一部著名但篇幅短小[因而能很快读完]的剧作……

    …so one could consult a précised synopsis (reckon it'd still be considered a 'legitimate' learning exercise (I can hear my once lecturers wincing and grinding teeth at the thought!). 24. No Exit - (Fr. Huis clos)—Jean-Paul Sartre The French title translates into English as 'In Camera' although it's better known as No Exit in the Anglophone world. No Exit is a famed but short [hence quickly read] play by Sartre…

  • 这跟但丁的《神曲·地狱篇》,或者西西弗斯、坦塔罗斯、普罗米修斯、洛基的神话惩罚比起来,并不会更糟糕。也不像萨特的《禁闭》(Huis Clos)那样充斥着乏味的心理折磨。放心,我非常清楚现实与虚构之间的界限。我其实有点担心你居然会对文字和想象力产生顾忌。那种恐惧会导致审查,而审查……

    It's not any worse than Dante Alighieri's Inferno, or the mythic punishments for Sisyphus, Tantalus, Prometheus, or Loki. Nor is it as tediously psychological as Sartre's No Exit (Huis Clos). I assure you, I am well aware of the boundary between fact and fiction. I am actually a bit worried that you find words and imagination to be cause for concern. That fear leads to censorship, which…

  • ……正是他人的审视带给我们如此巨大的存在主义恐惧与痛苦。我一直没太搞懂萨特本意是否如此,但在我看来,《禁闭》(Huis Clos)里的问题显而易见并不在于他们要永远跟“别人”困在一起,而是在于困在一起的具体是“哪些人”。这些人会无限放大他们的全部缺陷,并当面甩回他们脸上。如果……

    …perspective of others that causes us so much existential dread and pain. I've never been entirely clear on whether Sartre intended this or not, but it always seemed glaringly obvious to me that the problem in Huis Clos was not that they were trapped for eternity with other people: it was the specific other people they were trapped with. People who magnified all their own flaws and threw them back in their faces. If,…

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