艺术即经验
Art as Experience
John Dewey · 初版 1934 年
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基于John Dewey于1932年在哈佛大学作为首任William James讲座学者所作的美学讲座，Art as Experience已被国际公认为美国人就所有艺术——建筑、雕塑、绘画、音乐和文学——的形式结构与独特效应所撰写的最杰出的著作。
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Art as Experience
John Dewey · 初版 1934 年
基于John Dewey于1932年在哈佛大学作为首任William James讲座学者所作的美学讲座，Art as Experience已被国际公认为美国人就所有艺术——建筑、雕塑、绘画、音乐和文学——的形式结构与独特效应所撰写的最杰出的著作。
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……我读过的哲学书中——而且我有好多年基本上只读哲学——它让我有种大开眼界的感觉。而在帮助我理解艺术和音乐方面，远超其他任何书的一本是杜威的《艺术即经验》（Art as Experience），我之所以拿起这本书，是因为《肉身中的哲学》（Philosophy in the Flesh）在前几页对杜威大加赞赏！我自己是个音乐人和艺术家，所以非常感激这个线索。
…philosophy books I've read - and I read mostly philosophy for many years - it felt like having my eyes opened. And the book that helped me in understanding art and music far more than any other, Dewey's Art as Experience, I picked up because of good things they say about Dewey in the first pages of Philosophy in the Flesh! I'm a musician and artist, so I'm extremely grateful for that lead.
《我们赖以生存的隐喻》（Metaphors We Live By） - Lakoff/Johnson；《肉身中的哲学》（Philosophy in the Flesh） - L/J；《政治中的理性主义》（Rationalism in Politics） - Oakeshott；欧文·戈夫曼 –《日常生活中的自我呈现》（Presentation of Self in Everyday Life）；沃尔特·李普曼 –《公众舆论》（Public Opinion）；《艺术即经验》（Art as Experience） - 约翰·杜威；《普鲁塔克比较列传》（Plutarch's Lives）；G.K. 切斯特顿 –《异教徒》（Heretics，随笔）；威廉·詹姆斯 -《论人类的某种盲目》（On A Certain Blindness in Human Beings）及其续篇（随笔）；R.L. 斯蒂文森 -《提灯者》（The Lantern-Bearers）
Metaphors We Live By - Lakoff/Johnson Philosophy in the Flesh - L/J Rationalism in Politics - Oakeshott Erving Goffman – Presentation of Self in Everyday Life Walter Lippmann – Public Opinion Art as Experience - John Dewey Plutarch's Lives G.K. Chesterton – Heretics (essay) William James - On A Certain Blindness in Human Beings (and its sequel) (essay) R.L. Stevenson - The Lantern-Bearers
……站在更合理的那一边。普特南是一位思路非常清晰且发人深省的作家——他的《带有人性面孔的实在论》（Realism with a Human Face）可能是他最好的作品，也是一个极佳的切入点，里面全是非常棒的文章。又及：杜威的《艺术即经验》改变了我的人生。我是个音乐人/艺术家兼哲学系学生，它解决了我所有关于艺术的困惑，而此前每多读一本分析艺术哲学的书，这些困惑就只增不减。
…take the more sensible side. Putnam is a very clear and stimulating writer—his Realism with a Human Face is perhaps his best and a good place to start, filled with remarkably good essays. p.s. Dewey's Art as Experience changed my life. I'm a musician/artist and philosophy student, and it solved all my problems concerning art, which each further book of analytic philosophy of art had only multiplied.
……至于其他人，像尼采、王尔德、希拉里·普特南、杜威，虽然我不会一直读，但他们的某些/大部分书我都反复读过好多遍。比如王尔德的《意图》（Intentions）、普特南的《带有人性面孔的实在论》、杜威的《艺术即经验》，以及尼采的几乎所有作品，比如《人性的，太人性的》或《朝霞》，我都觉得百读不厌。切斯特顿、尼采和王尔德也都非常幽默风趣。
…Others, like Nietzsche, Wilde, Hilary Putnam, Dewey, I don't read so constantly but I've read some/most of their books over and over again. Wilde's Intentions, Putnam's Realism with a Human Face, Dewey's Art as Experience, for example, and almost everything of Nietzsche's, e.g. Human, All Too Human or Daybreak, I find endlessly rereadable. Chesterton, Nietzsche and Wilde are very funny too.
我相信你会在艺术哲学方面做一些思考。推荐几本：阿多诺的《美学理论》（Aesthetic Theory，1970）和杜威的《艺术即经验》（Art as Experience，1934）。> 艺术[作为一种创造]并不模仿自然，它模仿的是一种创造[或者斯宾诺莎意义上的自然，即不过是一种永恒的创造活动]，有时是为了提出一个替代的世界，……
I'm sure you'll do some thinking on the philosophy of art front. To name a few recommendations: Adorno's Aesthetic Theory (1970) and Dewey's Art as Experience (1934). > Art [as a creation] does not imitate nature, it imitates a creation [or nature, in a Spinozian meaning, which is but an eternal activity of creation], sometimes to propose an alternative world,…
约翰·杜威 - 《艺术即经验》（Art As Experience）。我是一名爵士乐手兼艺术家，也深入学了很长时间哲学。30岁左右的时候，我读了大量的艺术哲学书和音乐哲学书，既包括经典著作也包括……
John Dewey - Art As Experience I'm a jazz musician & artist who also studied philosophy a lot for a long time. Aged about 30 I was reading a lot of philosophy books about art, and about philosophy of music, both the classics and the…