
小熊帕丁顿
A Bear Called Paddington
Michael Bond · 初版 1960 年
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Brown夫妇第一次在伦敦火车站的站台上遇到了Paddington,一只来自秘鲁密林(Darkest Peru)、极其讨人喜欢的小熊。他脖子上挂着一块牌子,上面写着:‘请照顾这只熊。谢谢’。于是他们便照做了。从第一天晚上他尝试第一次洗热水澡并差点水淹整栋房屋开始,Paddington就几乎从未远离过接踵而至的麻烦。Jonathan和Judy对这场大乱开心不已,就连Brown夫妇也不得不承认,家里有了一只熊之后,生活似乎变得更加充满了奇遇。
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> 遗失的东西实在是太多了。原始母带被覆盖录音…… 迈克尔·邦德(Michael Bond)在杰作《小熊帕丁顿》(A Bear Called Paddington)的第五章《帕丁顿与“老大师”》(Paddington and 'The Old Master')中巧妙地探讨了这个问题。[0] 哪怕只是读一读链接里的剧情梗概,都能让人看清一切人类诠释背后那种组合式的“忒修斯之船”本质。这种悲怆感甚至让我潸然泪下:帕丁顿没能重新制作出一份礼物……
> There's such a volume of lost everything. Original masters taped over . . . Michael Bond deftly develops this problem in Chapter 5, "Paddington and 'The Old Master'", of the masterpiece "A Bear Called Paddington." [0] Even a read of the linked synopsis brings to light the combinatorial Ship of Theseus nature of all human-interpretation. The pathos brings tears to my eyes: Paddington's failure to recreate a present…
看看出版界那些时灵时不灵的品味,挺有意思的。例如文中提到的,《迈克尔·邦德的〈小熊帕丁顿〉,1957年8月28日》:“我认为作者在这个讲述一只被布朗中产阶级家庭收养的熊的故事里跑偏了。除非是我理解错了,他本来是想写得搞笑一点,但那些笑话……”
These are fun insights into the hit and miss tastes of the publishing biz. For example, from the article, "A Bear Called Paddington by Michael Bond, 28 August 1957": I think the author has missed his mark in this story of a bear adopted by a middle-class family called Brown. Unless I mistake him he means it to be funny but the jokes…